Review – The HATCHET Trilogy

  Consider me a convert to the cult of Victor Crowley and a proud supporter of the Hatchet Army. About six years ago, Adam Green’s HATCHET was released. It may have just been a passing curiosity to mainstream filmgoers. But to a die-hard horror fan like myself, it peaked my interest. This was a time when most of the horror films being released to theaters were severely lacking in creativity (not that we’re necessarily in a golden age now). And HATCHET’s poster stated bluntly, “It’s not a remake. It’s not a sequel. And it’s not based on a Japanese one.” … Continue reading Review – The HATCHET Trilogy

ROOM 237 and the Nature of Film Theory

  Did you know that there are pictures of minotaurs hanging in the Overlook Hotel? Or how about that Stanley Kubrick used a horror film to detail how he helped fake footage of the Apollo moon landing? And I’ll bet you didn’t know that THE SHINING was actually an allegory for the genocide committed by white settlers against the Native Americans. These are just a few of the loopy allegations made in the documentary ROOM 237, a film that on the surface is nothing special but at its heart raises interesting questions about the nature of film theory. When Warner … Continue reading ROOM 237 and the Nature of Film Theory