Week 2 of the best and worst in film advertising art brings us some high-profile debacles, a few gems and the oddity that is generic art featuring Dominic Purcell. There used to be some sense of pride and accomplishment when … Continue reading MASTERSTROKES AND PHOTOFAILS: The Best and Worst Release Art – Week 2
There used to be some sense of pride and accomplishment when it came to marketing your film. The poster or cover art used to be a key element that drew people in. In this age of digital downloads and mass … Continue reading MASTERSTROKES AND PHOTOFAILS: The Best and Worst Release Art – Week 1
This story was over at Dread Central as well as a number of other sites. It suggests that a recent casting notice suggests that Universal or some other entity is at least considering a reboot of JAWS. The story … Continue reading Are They Trying to Cast People for a JAWS Reboot?
Have you noticed that the people you used to depend on can’t be depended on anymore? I’m not talking about people who have made a few bad films, I’m talking about something much more serious. In this episode of Moviocrity, … Continue reading MOVIOCRITY: Episode 5 – Have These People Stopped Trying?
Johnny Depp once made a western about a man who was in a sense a walking ghost, a man on a quest for his ultimate destiny, as guided by a loyal Native American companion. The year was 1995 and the film was Jim Jarmusch’s DEAD MAN. It was a brilliant and unconventional film, one that probably wouldn’t appeal to the masses. Nevertheless, I found the film to be alternately thought-provoking, beautiful and funny. That was when Johnny Depp made good movies. Now, once again Johnny Depp has made a western about a man who is in a sense of … Continue reading THE LONE RANGER Stumbles Between Cynicism and Buffoonery
Consider me a convert to the cult of Victor Crowley and a proud supporter of the Hatchet Army. About six years ago, Adam Green’s HATCHET was released. It may have just been a passing curiosity to mainstream filmgoers. But to a die-hard horror fan like myself, it peaked my interest. This was a time when most of the horror films being released to theaters were severely lacking in creativity (not that we’re necessarily in a golden age now). And HATCHET’s poster stated bluntly, “It’s not a remake. It’s not a sequel. And it’s not based on a Japanese one.” … Continue reading Review – The HATCHET Trilogy
People are always looking for the next thing. As the elder Masters of Horror have already advanced to legendary status (and yet still can’t seem to get their films in production), the focus recently shifted to the next generation. To this end, Herner Klenthur of the website Horror-Movies.ca solicited suggestions on Facebook, asking what should make up a list of the new Masters of Horror. The writer took suggestions and published the results. The list was a mix of established named (Eli Roth, Rob Zombie), rising stars (Ti West, Adam Green, Pascal Laugier) and some controversial choices (Steven Miller). But no controversy was as … Continue reading Review – AMERICAN MARY (2013)
While writing about big budget blockbusters might seem antithetical to the Adventure Without Shame credo, it really isn’t. Lack of creativity or imagination is what often leads to moviocrity. This article gives a brief history lesson and highlights the importance of keeping the creative minds in control. There is a debate going on, arguing about whether superheroes on film are here to stay or whether they are a fad that will soon burn itself out. In order to answer this question, it is important to look at the current state of superhero cinema. How did it get here and why … Continue reading What Marvel Does Right (And Why No One Else Is Doing It)
THE LORDS OF SALEM represents a filmmaker venturing into uncharted territory, and it is glorious. Though it is his fifth theatrical film, THE LORDS OF SALEM marks the first totally original material Rob Zombie has brought to the big screen since HOUSE OF 1000 CORPSES. After all, he followed up CORPSES with a sequel, THE DEVIL’S REJECTS, which was different in tone but still continued the story of the characters from the first film. After that, Zombie gave us his two HALLOWEEN pictures, again adding his own spin on the material, but dealing with established characters. Flirtations with other … Continue reading Review – THE LORDS OF SALEM (2013)
Art and violence have been cozy bedfellows for centuries. Maybe art doesn’t like to flaunt its close relationship with violence, but the two aren’t above exploiting each other either. This is sort of the premise behind Boris Rodriguez’s darkly satirical EDDIE THE SLEEPWALKING CANNIBAL. Lars Olafsen (Thor Lindhart) is a once-successful painter who has pretty much given up on inspiration ever striking again. He takes a position at a remote and impoverished art school in Canada, where he plans to spend his days teaching and trying to quiet the people in his periphery who wonder if he will ever again … Continue reading Review – EDDIE THE SLEEPWALKING CANNIBAL (2012)